Connection of Place

Natural history writer Barry Lopez says that human imagination is shaped by the architecture it encounters at a young age. In his essay “A Literature of Place,” he asserts that his imagination was shaped by a dry California valley.

Ask yourself: What has shaped yours?

Lopez’s essay exhorts us to become intimate with our places, and he reassures us that if we can achieve that intimacy, we will achieve a defense against the loneliness of the human condition. Give your place your intimate attention, he states. Have a storied relationship to it. Live in a kind of ethical unity with your place. If you can do these things, it will know you are there, and you will never feel abandoned.

It feels you.

As we search in vain for connection to self and to others, we feed our addiction to technology and social media, completely ignoring what is right outside our own window.

Connection to place.

I recently visited my hometown in the attempt to achieve that geographical intimacy, some sort of connection.

I needed my touchstone. It was time to head home.

As I rolled down Main Street, I was met by the same old sleepy streets, rows of tidy ranchers, the mansions of Bellevue Avenue, sweet blueberry farms, the Italian market, the trim little downtown bustling with people headed out for coffee, supplies, or to-and-from work.

I dropped in on haunted childhood places. The Women’s Civic Center parking lot and concrete stairs, where hundreds of neighborhood kickball games were played in the dying of sun-mottled fall light, where gruff parental voices calling us in were ignored for just one more inning. The cool dim Church of Christ, where if unlocked was a cool refuge from the sun and a place to play hide-and-seek in the pews, to sneak communion wine, and breathe in the cross-pollinated smell of oil and Pine Sol until we were chased back out into hot summer sun by the cranky pastor. The copse of trees dividing the lots of the Civic Center and the Church of Christ, that shady place where we hunkered down on many a summer day with french fries and milkshakes. This copse was our fort, our hiding place, our control tower, a place where all important decisions were made, and where no adult was allowed to step foot in. Ever.

And the bicycle cut-through that was the most direct route to Dee’s house, and the big tree root to avoid on the left-hand side of the path that harbored the insidious intent to wipe you out if your bike tire caught it just wrong. We all knew to stay to the right, but forty years later I can still hear now the voices of friends.

“RIGHT!”

On this day forty years later, I stood still in the worn-out patch of grass designated as home plate for our kickball games, I huddled under those trees where I carved my initials. I walked through the cut-through, bent down and ran my hand over that killer root. I stood in that church and inhaled that familiar scent. I sat on those concrete steps, and dreamed once again the grandiose daydreams of becoming a famous gymnast, the images flooding back to my consciousness. And as I drove home, I knew immediately that I felt better. At peace. Connected to myself, and the place that made me.

So go home, if you can. But wherever you are, open yourself up. Be silent, appreciate the cessation of noise. Feel it, and yourself situated on it. Ask yourself what you smell and hear. Bend down, feel the textures at your feet.

We know we cannot control the physical world. Boy, do we know that. So become intimate with whatever “stretch of land” you call home, and through geographical reciprocity, you can discover your sense of self, and perhaps a sense of hope.

Kali the Octopus

I’m really into octopuses lately (no, it is NOT octopi, as commonly thought). If you’ve never read The Soul of an Octopus by Sy Montgomery, please pick it up.

Saying The Soul of an Octopus is about an octopus is like saying The Untethered Soul by Michael Singer is about a horse, or that the Bible is about a carpenter. There may be a picture of an octopus on the front of Montgomery’s book, and a horse on the front of Singer’s, but the inside of these tomes spin yarns that speak of warriors, kings and ancient languages. I know now that I will never die happily until I look into the eye of an octopus.

Journalist Montgomery studies and builds complex relationships with various octopuses at the New England Aquarium, anthropomorphizing for the reader the personality of each individual slimy imp. Through my literary foray in this chirpy little tome, I have come to know and love George, Octavia, Kali and Karma. What intelligent, crafty, vivacious, friendly, unpredictable, and highly sentient creatures these cephalopods are.

I’ve been thinking and breathing octopuses. I marvel at the fact that when they lose an arm, the arm continues to hunt and fish, and tries to move the fish to a mouth that is no longer there. I’ve learned that octopuses have beaks and rarely show them to humans. That their suckers have pincer grips so fine that they can untie knots. Aquarium keepers have to go to great lengths to contain their octopuses, since they are masters of escape.

Oh, the places they go.

I began to get angry halfway through the book as Montgomery described the small barrel in which sweet, friendly Kali was housed. There was nowhere else to put her, and they had to be sure she was contained safely. I agonized chapter after chapter when, as they unscrewed her lid, she, so desperate for attention, socialization and space, would practically launch herself out of the barrel to touch them and play with them. And as happens with highly social and intelligent creatures, her cramped and lonely quarters began to prey on her psyche, and she began to exhibit signs of depression.

So much like humans. So much like…me! I have also as of late, with impending empty nest syndrome looming, begun to feel cramped with my surroundings. Bored. Feeling like if someone were to unscrew MY lid, that I would also fling myself out with abandon. Desperate for a new view, new space, new smells, new textures. Get me out of here!

But on page 169 a miracle happens. The handlers, determined to place her in a bigger location, found her a tank. If you are an animal lover like me, you will read pages 169-171 over and over.

She immediately turned bright red with excitement. She flung herself about, probing the new tank with her suckers, feeling the new textures of glass, gravel and stones. She stretched her full self out with wild abandon, something she had never been able to do in her small barrel. Montgomery alliteratively described it as “soaking up sensations like a swelling sponge.”

“She moves rapidly and purposefully,” Montgomery waxes, “touching everything, her arms dashing about like puppies exploring the first snow, or caged birds set free.”

All was good. I was so happy for her, for her handlers, for ME. That will be me soon, I thought!

She escaped the first night and died on the floor. All who knew and loved her were heartbroken, as was I. As I still am. Kali, being such the explorer, managed to squeeze all of her 21 pounds and ten-foot arm span out of a hole measuring 2 1/2 inches by one-inch.

This does not bode well for my impending departure. Will I seek new climes, and find them to be inhospitable? Will I overestimate my abilities?

Will I perish in my escape?

But as Anna, one of the aquarium volunteers states, “what you do today doesn’t affect yesterday.” And Wilson the Octopus-Whisperer states aptly:

“She had a good last day. She had a day of freedom. And that she got out tells you a phenomenally inquisitive and intelligent creature wanted her freedom…it must have taken a lot of effort to get out. A stupid animal wouldn’t do that.”

Indeed.